
Life does contain enough drug tales to fill Thomas de Quincy's Confessions of an English Opium Eater — from Richards' description of a 1972 bust in Arkansas, where dope was concealed not just in the folds of his cap but also in his car's side panels, through his helpful delineation of barbiturates ("the sensible drugs in the world are the pure ones"), to his awed evocation of LSD: "There's not much you can say about acid except, God, what a trip!" Richards declares that he never succumbed to the rock-star stereotype of early death because he used only "the finest, finest cocaine and the purest, purest heroin." He is at pains, though, to deny the story that he snorted his late father Bert's ashes with a line of cocaine. Here's the truth: "And as I took the lid off the box, a fine spray of his ashes blew out onto the table. I couldn't just brush him off, so I wiped my finger over it and snorted the residue. Ashes to ashes, father to son."
For all the grou

The Evel Knievel of illicit substances, Richards wears his 66 years with a jaunty gauntness. Sinewy and haggard, he could be the poster child for a "This is your face on drugs" campaign, or he might just be a grizzled coal miner who was never allowed to come up for daylight. The grimacing-skull ring he wears on the fourth finger of his right hand could be a self-portrait; sometimes, throughout whole decades, it's looked more lifelike than he has. Even playing live, thrumming the intro to "(I Can't Get No) Satisfaction" that came to him in his sleep 45 years ago, he can seem the coolest extra in Dawn of the Dead. He still plays up a storm onstage — including when a lump of white phosphorous from a fireworks display burned through his finger and he kept on performing ("I'm watching white bone for the next two hours") — yet he leaves not just the strutting showmanship but most of the talking to Jagger. Have the drugs left him incommunicado?
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